Helen Pridmore |
Office: MC M07
tel.: (506) 364-2381
fax.: (506) 364-2376
email: hpridmore@mta.ca |
Soprano Helen Pridmore was born in England and grew up in Canada, where
she began her musical studies. She obtained her B.Mus. in Voice from
the University of Saskatchewan and the M.Mus. in Voice from the University
of Toronto. She also holds the Licentiate Diploma in Piano from Trinity
College of Music, UK. At the Eastman
School of Music in Rochester, NY
she earned the Doctor of Musical Arts degree, studying with Carol Webber,
and taught for both the Voice and Theory Departments. Helen Pridmore
served on the Voice Faculties at the State University of New York (Fredonia)
and at Nebraska Wesleyan University before joining the Music Department
at Mount Allison.
Helen Pridmore has performed across Canada and the U.S. as both soloist
and chamber musician. In concert she has performed works ranging from
Handel's Messiah to Schoenberg's Pierrot Lunaire. With a special interest
in new music, she has premiered and sung many works by Canadian and
American composers, including Helen Hall, Jim O'Leary, alcides lanza,
Randall
Snyder, W.L. Altman and others. She has performed at the Sound
Symposium in Newfoundland and is a regular guest of the Third
Chair Chamber Players in Lincoln, Nebraska. Helen Pridmore
is featured on a CD of the works of the American composer Gardner Read
(Albany Records).
Some recent media reviews:
"...after singing Mozart and Britten beautifully, with a combination of
pure tone and inspiring musical intelligence, Pridmore mesmerized the
audience with a stunning tour-de-force in Kurtag's uncompromisingly
difficult 'Sayings of Peter Bornemisza'."
--Stephen Pedersen, Halifax Chronicle Herald, Feb. 2008
"The best sign of success after the recital was the [voice]
students attempting to impose extended vocal ideas into their
own voices."
-- Garry Gable, Professor of Voice, University of Saskatchewan,
Saskatoon, Jan. 2007
"
...a fabulous performance at Robinson...every piece was put
across to the audience so vividly." -- Jeremy Thurlow,
Director of Studies, Robinson College, Cambridge University
UK, April 2007
"
.... the haunting voice of Helen Pridmore...unusual vocal inflections..." ---
Robert Haskins, American Record Guide, May 2004
"
Soprano Helen Pridmore achieved a tour de force in Helen Hall's difficult
Circuits. Her interpretation...was quite beautiful." ---
Stephen Pedersen, Chronicle Herald, May 2003
"
Soprano Helen Pridmore skillfully maintained an impressive solo show." ---
Kathy Kennedy, Musicworks, January 2003
"
Notable among the concerts involving scored music was New Brunswick soprano
Helen Pridmore's performance of Montreal composer Helen Hall's 'Circuits'....Pridmore's
measured exploration of the cyclical process of breathing contained an
extraordinary resonance of endurance and renewal." ---
Tim Dallett, Arts Atlantic, September 2002
Helen Pridmore is also a member of Motion
Ensemble, New Brunswick's new music group. Its repertoire is
an eclectic mix of post-classical and experimental music, often utilizing
electronics
and visual media. Motion Ensemble has recently completed two tours in
Canada, and made its USA debut in New York city in 2003. Motion Ensemble
has
released two
CDs, one of works by John Cage (read a review!)
and one of music by Canadian composer Veronika Krausas.
In addition to her performing career, Dr. Pridmore also pursues
research in extended vocal techniques and new music for voice.
She has presented
papers and recitals at conferences of the College Music Society,
the Canadian University Music Society and the National
Association of Teachers
of Singing (NATS), and has had her work published in
the NATS Journal of Singing. She is a voting member of the Canadian
Music Centre.
Helen Pridmore’s activities at Mount Allison have been many and
varied. Apart from teaching voice, she is also the musical
director of the Opera Workshop,
with whom she organizes a tour of Maritime schools
every spring. She has organized symposia on the music and
culture of the Second Viennese School (2001) and the music and thought
of John Cage
(2002). She has helped to found and oversee the University’s
student-run art gallery in the Conservatory. More recently, she has been active in organizing music events for the
OK.Quoi?! Contemporary Arts Festival, which is produced in collaboration with Struts
Gallery/Faucet
Media Arts Centre.
Her work in creative activity, research, and teaching was
recognized in 2005 with one of Mount Allison's Paul Paré Awards
for Excellence.
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