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“Most of the things that I've learned have come from elders; the things that worked in life anyway came from my grandfather and my father. One of father's favourite expressions was, “There are things you can do, things you can't do, and things that have to be done. They're the most disagreeable things and the hardest, but the hardest lessons to learn are the ones that stay with you.” |
[This interview was conducted on September 24 th , 2009 by Mount Allison students Ashley Brzezicki and Laura Browne. Glad and her friend Charles Thompson live in Oxford, Nova Scotia and came to Mount Allison to be interviewed in Dr. Marilyn Walker's Arctic Ethnography class in the fall term of 2009. Glad is a Métis woman who speaks about her Métis background.] Marilyn: Welcome everyone, and especially welcome to Glad Mazarall and her friend Charlie Thompson. Thank you very much for taking the time to come in. I know you're both really busy with all kinds of community projects, genealogical research, historical research, nature conservation, all kinds of things. So you came in from Oxford especially for this class. Glad has been a friend for a long time now. She was one of the people who was at my induction into the Eastern Woodland Métis Nation - she was one of the drummers. Glad is an elder in the Métis community. She knows that she is the first one of this set of interviews. So I asked Glad to come in because she's very comfortable talking about herself and her background and will be a really good introduction to the project for the class. So maybe we could start off by asking you, Glad, if you can tell us a little bit about your background, maybe where you grew up, something about your family. You know we're trying to understand the diversity of the Métis experience in the Maritimes. So anything that you want to share with us would be an honour. Glad: Well I was born in Springhill, Nova Scotia. And my father was brought up in a Catholic orphanage until he was thirteen when he got fed up with that and run away and wound up in northern New Brunswick somewhere up there among the First Nations up there. And the lumber industry and agriculture and the stock market crash of ‘28 brought him back to Springhill. We have no idea where his brother, Billy, is and he spent most of his life looking for him. But we couldn't find him, I can't find him. Which leads to my genealogy studies. My mother was born on a farm in Rodney, they called it the Hilltop. Stones, no I won't say stones, I'll say stone, is about all it was. They scratched the living out of the soil up there, what there was of it. And somebody introduced them to each other, and they kind of got together, and I'm the result. They took one look at it and says “I'm not gonna try that again” so I'm an only child! And my grandfather, who was about the best tailor that ever threaded a needle, I learned to sew from him. I learned a lot of life lessons from grandfather and my father, I mean, he was on his own from the time he was thirteen. So experience was his teacher. He was brought up in the school of hard knocks; I suppose you've heard of that school. And he had grade four education, he was mainly self-taught. Most of the things that I've learned have come from elders; the things that worked in life anyway came from my grandfather and my father. One of father's favourite expressions was, “There are things you can do, things you can't do, and things that have to be done. They're the most disagreeable things and the hardest, but the hardest lessons to learn are the ones that stay with you”. I went through high school in Springhill; my mother wanted me to be a teacher. I'm a mechanic, and a farmer, and I'm a seamstress. I knit, I crochet, I do weaving, I made these belts. Marilyn: Glad, can you say something about the belts that you and Charles are wearing? Glad: Okay, these are, well the colour of this one is Acadian, there's no yellow in it, the star of the sea, but it was done with Acadian colours with the red, white and blue. The center is always red, because that's the good red path. And usually there's red on the outside edge too, which keeps you on the straight and narrow; I guess that's why they call it the ‘straight and narrow', there's so few people walk it. It's finger woven; you fasten one end of it, well you put the colors together in long strings with a wiggle in the middle I call it. You have to change this side to underneath and the top here. And you fasten one end of it to the ceiling and you bring the other end back down; and you sit in the middle and work from one end, the middle to the end, turn it around and work the other way. There are a number of different patterns; each cultural group has their own pattern. This is ‘center-fléché', or ‘arrow heart'. The method used is finger weaving, you don't need anything else but your fingers and the yarn and something to fasten it to. A full size sash like the one Charlie has on takes a full winter to make. It starts in the middle, see the center in the middle on this side of his hip, and that's where you start from, the center, and go both ways. Marilyn: So you said this is an Acadian design? Glad: This is Acadian, that is the flame, you can see the flames going out from the center. And this is Acadian and it's, there's lightning on both sides here, and the center-fléché, and of course there's an arrow in the center of that one too. Marilyn: And so are you wearing that because you have Acadian background? Glad: I'm not sure about Acadian background, it's English and Irish and First Nations. My married name is Mazarall. His people were too far north, they were in Bay de Vin, up in northern New Brunswick. And I guess they never got hooked up in the expulsion. I haven't found anything about them. I read a book on the Mazaralls in North America, and I couldn't find my husband or his people. And I called and was talking to the author, and he said he couldn't find Nicholas after his birth. Well he had the galvanized gold Mary of Protestant, so he was excommunicated and just wasn't included. So, yeah, my people are, my father's people are Scottish and Irish, and First Nations. [pause] But we can't find the First Nations because the women were registered as English Baptists to keep their kids home so they wouldn't go to the residential schools. My mother's people she always said they were English, but I've traced them back to Ireland, so that's where they came from. In the 1700's they were heading for Philadelphia and got shipwrecked on Sable Island and were brought back to Halifax and a land speculator brought them to Ardoise, in Windsor. Marilyn: So now, Glad, do you consider yourself to be Métis? Glad: I would like to believe I am. My soul is, and my heart is. My bloodlines, my DNA says I'm a lot in Irish, English, Scottish. I went in to see about my eyesight, and the doctor says “Oh, you've got ancestry in the northern Scotland, highlands of Scotland.” I said, “Yeah”. Well he says, “You have an eye condition that William the Conqueror brought into the highlands of Scotland,” he says “you've got ancestors who are blind by the time they were 60.” I said “yes”… He says “you will be too if you don't have it fixed”. So I got it fixed, they have laser surgery now, and I got it fixed. This one can never be fixed, a screwdriver slipped and it's part of being a mechanic I guess. And no safety glasses, and stupidity mainly. Laura: Do you feel any cultural affinity towards the Scottish or the Irish, knowing that you have that heritage? Glad: The Celts, the Celtic. Yeah, it's in my heart too . Laura: Are you active within a Métis community? Glad: Not as active as I'd like to be. Laura: Are there any organizations that you belong to that are Métis organizations? Or any events or anything like that? Glad: I like to go to their events. But as far as being a member of an organization, no. I just am. Ashley: When do they have their events? Is it annual or is it for a specific ceremony? Do you get to see them often? Glad: When I can get to a powwow I like to go to those. Ashley: What is a powwow? Glad: A big party. But it's mostly sober and you can remember what goes on! There is a lot of singing and dancing, chanting and drumming. The last one I went to had a belly dancer. She kept most of her clothes on . Marilyn: These aren't, just to clarify, necessarily Métis powwows, they're powwows that anybody of Aboriginal background can go to. Glad: Anybody can go, yes. Well, I don't think the belly dancer had much Aboriginal background . Marilyn: And when you go Glad, do you wear your Métis dress? Glad: Sometimes, sometimes. Ashley: Is there a specific dress to go to a powwow? Glad: Well, the dancers wear different costumes for different dances. And if one loses a feather everybody clears off the field until that feather is retrieved. Laura: So, their costumes are very important then? Glad: Oh, yes. Ashley: And apparently the feathers are extremely important. Is it the eagle feather? Glad: Feathers are very important. There are a lot of eagle feathers, yes. The Eagle is very important because of the way they circle and fly and you lose them and they're up and they go up to the land above the clouds. They're traditionally the go-between, between the land on the earth and the land above the clouds. Laura: Is that just a pretty metaphor or an expression? Or is the ‘land above the clouds,' of religious significance? Glad: They don't have a religion, they have a way of life. And they live it. It's not just for special days. They live it every day, or I should say we live it every day. We live that every day. And if you see an eagle, you know, everything is okay when you see an eagle. Ashley: So it's a good omen if you see an eagle? Glad: A good omen, yes. Marilyn: So Glad, you have a farm, you told me you were growing pumpkins? Glad: Yep, it's his farm. And we have, how many tons did you say the other day? Charles: At least ten. Marilyn: Ten tons of pumpkins? Glad: Yes. We have found the great pumpkin . Marilyn: You have quite a lot of knowledge about living on the land. Can you talk about how you gained that? Glad: Grandfather. Marilyn: And how? Did he take you out walking around and tell you stories? Glad: Yes . Marilyn: Can you think of any lessons that you really remember from him? Glad: There's one about reaching out to your fellow travelers on this path of life. The little sparrow broke his wing and he couldn't go to the North Land where Glooscap lives to get his winter plumage. So, Blue Jay came along, he was up singing in a tree and kind of got left behind and here was little sparrow struggling along, so he goes down and scoops him up and sits him on his back, and of course with the extra weight he was a little late getting there too. And when he got to the teepee of Glooscap in the North, Glooscap asked him in, asked them in, into the warmth of the teepee, and he fixed up the wing, and set him so he could fly again, and sparrow was given plumage for the winter. And Blue Jay, because he was kind to the sparrow, there was no plumage left, so Glooscap took the blue of the sky and gave Blue Jay blue plumage, he took the white of the clouds and put the white on Blue Jay. And if you'll notice, if you get close enough to a Blue Jay, you'll see the black feather of the black storm clouds and you'll also see the shimmer of the gold and silver in the sunrise and sunset in the plumage of Blue Jay, and that's why Blue Jay is the color that he is today. Ashley: That's a beautiful story. So why is it that story stuck out to you most? Glad: It's rewarding kindness, I mean we shouldn't do things for reward, but if we do things from our heart- there's another story about coming to the Great River when our time is up, and our canoe is waiting for us and the good things we've done are patches and the bad things we've done put holes in our canoe; they don't hold water very well with holes in it. And if you do something and say, “I better do this because I need a patch for that hole”, your glue that you put the patch on with is not waterproof. But if you look at something and say, “Well now, that person needs help”, you put the patch on your canoe with good, solid glue and the water wouldn't take it off. And when you get to the other side you are rewarded with lots to eat, and lots of fresh water to drink, and warm clothes. Laura: Are these stories that you were told by elders in the community? Glad: Grandfather. I wasn't supposed to be listening according to my mother. Uncle Gordon could tell good stories too, he was my father's mother's brother and he told stories about the English, the things that they did to the Natives, and one of those was buying scalps from the Natives. And he come home one night and discovered he had bought his own wife and daughter's scalps. Fixed him! I bet his canoe leaked. Laura: Are these stories that are specific to your family? Like the story of the sparrow? Glad: A lot of them are universal. Yeah, and the Blue Jay, yes. Marilyn: So if you were able to tell a class of students who don't know anything at all about the Métis experience here, what are some of the most important things you'd like to commemorate? Glad: How to build a fire. Marilyn: Okay, so survival skills. Glad: Survival skills, yes. If you were left out in the woods, I mean, where would you be without supermarket, Wal-Mart? Marilyn: And do you think those survival skills will carry over into modern life? Glad: Oh, I think they do, yes. You have to learn how to look after yourself, father always said the best way to protect yourself, or teach anybody to protect themselves, you've got to learn how to protect yourself and how to get something to eat. Marilyn: A lot of Métis conversations I've had about being Métis, they say they're a very adaptable people, very good at surviving with not very much but also at sharing. Because one person has something one year, the next year they might not have very much and so they rely very much on their neighbours and friends and family. Do you think that's part of being Métis? Glad: Well, it's stone soup. Marilyn: It's stone soup. You're going to have to explain that one. Glad: Out in the middle of nowhere. Yep. In the woods I mean, you can't get far enough back into the woods today to get away from civilization. You look up into the sky and there's jet streams going. They're always there. You can't get far enough back from the lights of towns and cities in order to really see the beauty of the night sky. And there's another one, without the darkness, we couldn't see the stars. I remember a time when it was dark. During the Second World War, we had blackouts. And it was black. It really got dark. I mean, oh about two and a half miles away from town and on a dark night they say, you know you couldn't see the hand in front of your face? Well, without the stars, if it was cloudy, it got dark. Student: You spoke briefly about your father and your grandfather. Was your grandfather his father? Glad: It's on money. I mean, money is okay, I suppose in today's society you need it, but friendship I would say means more. |
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